
ah, this recording of the great o antiphons by loreen mckennitt seems to have the feeling of the winter coast of ireland in it.


i have been reading jean leclerq's the love of learning and the desire for god: a study of monastic culture (new york: fordham university press, 1961), and i am struck again by how much of the current antogonism betwen "science" and "religion" originated in the twelfth century as the practices of the schools and the monasteries diverged.
an often overlooked part of the "collateral damage" of the american military adventure in the near east is the price paid by arab christians. american smart bombs recognize them no better than did the european crusaders, and their non-christian neighbors are able to be convinced that since they are christians and america claims to be christian, they must be on the side of the enemy.
the calendar of the church is a fascinating creation, which i have studied for a long time. one of the first projects i pursued after my ordination was a round of prayers for the church year based on what i could find of the celtic church's calendar. although there was a major publisher interested, i was dissatisfied, and only made some xeroxed, spiral-bound copies for friends. i wish i still had one, i guess.
it might seem strange that i would choose maddox brown's painting of aidan kissing oswald's hand for today's post, unless one knows much about oswald's hands.
i have come to black bass "lake," a park all improved since i was last here nearly two years ago. despite all the new fences and signs, of improvement, the creek still falls over a rough ledge abut forty yards below the damn, and i sit to listen to its psalm, in an area marked "pedestrians prohibited." it's one of the worst examples of officialese i've yet encountered. the whole world cries out for more pedestrians, more people willing to walk in love as christ loved us, and here, in this place beautiful despite its damnation by our greed, greed erects its signs.
some of you have been privy to my struggle with what to do and how to do it. with so much of the church in what seems to be, in r. r. reno's wording, ruins, it has sometimes been difficult for me to see how to proceed. i profoundly believe in one holy, catholic, and apostolic church, and if that church is not visible, if it remains some sort of nebulous body to be revealed at some future time or only in eternity, then it's mission becomes rather hard to see.
it is a mild monday morning, before the sun climbs the hazed blue sky of summer, piebald with small high clouds, and i am sitting on my friends the matkins' porch in mcalester, oklahoma. there are fewer or at least quieter birds here than in eureka springs. the wind hums softly in the maple and the sycamore. once again i am enjoying elaborate hospitality completely un-deserved on my part. i find this amazing, and a bit scary. in the morning office i was reminded that the son of man has no place to lay his head.
st. brendan is one of the best-known of all celtic saints. had he never made his famous journey, the account of which was as popular in the twelth century as angels and demons will be next week, he would still be remembered as a founder of monasteries, the total population of which has been claimed to be 3,000 monks.
today is the first warm, humid day of summer this year in eureka springs, a kind of weather no one seems to have described so well as thomas merton in the sign of jonas, writing about fire watch on the fourth of july. it will be hotter, perhaps, on the fourth of july, but the muggy embrace of the pine-scented air will be the same.






